Andrea D’Amario proves himself to be a filmmaker with a keen instinct for suspense. As both writer and director, of ‘The Poem‘ he demonstrates cinematic knowledge of pacing, producing a horror film that unfolds with precision.

His writing is economical yet effective – the dialogue serves a purpose, building tension without excess. There’s a natural rhythm to his script, blending realism with an eerie undercurrent that seeps in. He doesn’t rely on exposition or overexplaining; instead, he trusts atmosphere and suggestion to carry the weight of the story, a mark of a confident storyteller.

As a director, D’Amario’s control over tone is impeccable. He understands that horror isn’t just about fear – t’s about anticipation, about what’s felt in the silence before the scare. His ability to manipulate pacing keeps the film gripping, allowing unease to creep in before pulling the audience into something far darker. He balances realism with stylization, ensuring the film feels grounded while still delivering moments of striking visual horror.

‘The Poem’ is a showcase of D’Amario’s cinematic talent. He is a filmmaker who not only understands the mechanics of horror but expands them – cementing himself as a director to watch – one with both a sharp creative vision and the technical skill to bring it to life.