Directed by Leon de Levita and written by Roelof Jan Minneboo, ‘Up the River’ is a quietly affecting short set in Suriname, following a grandfather and grandson on a seemingly simple river journey that gradually deepens into something far more complex.
Benjamin, played by Borger Breeveld, is a man marked by time – physically and emotionally. Though confined to a wheelchair and fitted with prosthetic legs, he remains determined. His goal: to reunite with his estranged brother Hugo after fifty years of silence. He brings along his teenage grandson, Roy (Juan Groenewoud), who knows little about Hugo, and even less about the reasons behind their trip.
De Levita lets the tension build naturally as the journey progresses. The script avoids exposition, choosing instead to reveal character through subtle dialogue exchanges. Daan de Graaf’s cinematography is exceptional – especially the river scenes, which are rendered in rich, cinematic detail. The Suriname river becomes both a setting and a mood: serene, yet carrying undercurrents.
As Benjamin and Roy share stories and moments of calm, an unspoken unease grows. Roy slowly becomes aware that this trip is not just about reunion. Benjamin, we learn, has recently stolen a significant amount of money. This revelation casts a shadow over everything, adding urgency and ambiguity to Benjamin’s motivations.
Nikolai Clavier’s musical score complements the film beautifully – never intrusive, always in tune with the atmosphere. With naturalistic performances, sharp writing, and a poignant ending, ‘Up the River’ is a compelling character study. It’s about connection, consequence, and the things we carry toward the end. Highly recommended.
