Zach Marsh takes on a variety of roles – writer, director, and lead actor – in his touching short drama that explores friendship and the complexities of male vulnerability. Opposite Ryan Falconer as Liam, Marsh plays John, a man reeling from personal tragedy, reconnecting with his close friend after months of separation brought on by COVID – and deeper divides.

The film opens with a raw style – self-shot footage of John and Liam walking to the park. This minimalistic introduction, paired with a subtle yet effective score, sets the tone for a story focused on the internal rather than the external. Marsh’s choice to strip the film of color is a nice touch – there’s no need for visual distractions when the narrative’s emotional depth does the heavy lifting.

At the heart of the film is a candid conversation between the two men, who unpack the pain and uncertainty in their lives. John’s revelation about his wife’s miscarriage is delivered with remarkable restraint, making the moment all the more poignant. What makes this work is the authenticity of their dialogue – it’s raw and grounded, avoiding the temptation of melodrama. This honest portrayal of men opening up emotionally is rare and deeply affecting, challenging stereotypes without forcing the point.

Marsh’s performance deserves praise, layering grief with a quiet resolve. Falconer, though understated, provides a counterbalance. While the film’s strengths lie in its simplicity, a minor issue with inconsistent sound mixing between shots is noticeable but doesn’t detract from the overall impact of the story or the polished production.

‘A Talk in the Park’ is a deeply moving piece of short storytelling. Marsh’s bold, unembellished approach results in a film that is both intimate and universal. A worthy watch.