‘Blue Eye Shadow’ is a raw, emotional one-man piece that delves into the heart of the HIV/AIDS epidemic with a directness that’s both powerful and personal. Directed by Terrence Ivory, and penned by Eddrick Jerome, this short film breaks the fourth wall, with Lamont Young engaging the audience in an intimate, almost confessional conversation.
The film revolves around a man reflecting on a pivotal moment in his childhood. He was just 8 years old when he walked in on his older brother putting on their mother’s makeup. It’s a seemingly innocent memory, but as the layers peel back, we begin to see the deeper truths that would later emerge – truths about his brother’s sexuality and the devastating impact of the HIV/AIDS crisis that followed.
What makes ‘Blue Eye Shadow’ so compelling is how it handles these heavy themes. It’s not just a reflection on the past, but a dialogue with the audience about love and loss. Through Young’s direct, no-nonsense delivery, you feel as though he’s speaking to you, rather than performing for you. He breaks the fourth wall in a way that feels natural, pulling you into the story as if you’re sitting across from him, experiencing every painful revelation in real time.
The cinematography by Alex Flanagan is clean and understated, letting Young’s performance take center stage. While the film does suffer from some questionable editing choices that disrupt its flow, they don’t overshadow the emotional core of the piece. Lamont Young’s captivating presence elevates the material, making ‘Blue Eye Shadow’ an unflinching, heartfelt exploration of how the HIV/AIDS epidemic ripples through families, identities, and memories. It’s a bold, honest piece of filmmaking that deservies your attention.
