In Fernando Haddad’s ‘Winnie e Sal’, the apocalypse isn’t just an event; it’s a backdrop for an intimate, comic exploration of human frailty and failed relationships. Set against a world following an alien invasion, the film introduces us to Sal (Fernando Moscardi), a laid-back out-of-work creative, and Winnie (Maria Eduarda Balestero), the pragmatic former lover who tries to tether him to reality.
The film unfolds in a real-time café conversation – a two-hander brimming with wit and emotional depth. Sal’s philosophical musings clash with Winnie’s grounded realism, creating a dynamic that is both hilariously absurd and achingly relatable. As they unpack their past romance, Sal’s envy over Winnie’s apparent moving on, and the shifting sands of their relationship, the dialogue becomes a poignant commentary on personal disintegration.
Tiago Pinheiro’s cinematography deserves a standing ovation for its voyeuristic charm. The camera feels like a silent observer peering into a private moment, enhancing the film’s authenticity. This technique, combined with Haddad’s direction, allows us to feel intimately connected to the characters while marvelling at the stark contrast between their existential musings and the desolate world around them.
Despite its sci-fi setting, ‘Winnie e Sal’ is refreshingly human, focusing not on the alien invasion but on Sal’s self-destructive tendencies and his fractured connection with Winnie. With stellar chemistry between the leads and a touch of dark humor, this Brazilian short is a thoughtful and engaging exploration of post-breakup dynamics, making it a must-watch for those who appreciate a good laugh intertwined with emotional insight.
