In Julietta Korbel’s poignant short drama film ‘Still Working’, we embark on a melancholic journey of industrial change, following the story of Pavel (Beat Wittwer), the last standing employee at a once bustling factory. The factory, now a neglected and abandoned relic, symbolizes a painful nostalgia deeply rooted in Pavel’s soul. As the security guard, he clings to the factory’s history, keeping the electricity running as a way to keep its spirit alive.
Pavel’s quiet, almost reverent dedication is beautifully captured through Carlos Tapia González’s breathtaking cinematography, lending the film an almost dystopian quality. The factory’s derelict state is hauntingly intimate, a character in its own right, reflecting Pavel’s emotional struggle. When Gabriel (Jean-Baptiste Le Vaillant), a young demolition engineer, arrives to perform the inevitable task of tearing down the factory, Pavel faces the uncomfortable decision to let go of the past. Gabriel’s lack of emotional attachment to the factory’s history starkly contrasts with Pavel’s deep-seated connection, creating a fascinating dynamic between the two characters.
The film’s use of archival footage of the factory’s construction adds layers of depth and heart to the narrative, juxtaposing the factory’s vibrant past with its desolate present. Wittwer’s performance is outstanding, conveying a world of emotion with minimal dialogue. His portrayal of Pavel’s protective nature and the sorrow of letting go is profoundly moving.
‘Still Working’ is a French-language film made in Switzerland, presented with English subtitles. Its exceptional visual storytelling, minimal dialogue, and deep emotional resonance make it a beautifully poignant film. Korbel’s direction, combined with González’s cinematography and Wittwer’s powerful performance, crafts an intimate portrait of loss and acceptance.
