In ‘Artificial Existence’, John D. Marshall crafts a gripping Sci-Fi short that pulls us into a future where artificial intelligence reigns supreme and genuine human connection is an afterthought. Sé Marie Volk delivers a powerful performance as Evelyn, an architect of this synthetic world who finds herself disillusioned by the very reality she helped design. Her struggle to reconnect with her children, who are entangled in this dystopian web, echoes a poignant truth: “everything is interconnected, yet everyone is disconnected”.
Marshall’s narrative blends philosophical introspection with a futuristic flair. The film’s VFX and production values are spectacular, painting a world both haunting and mesmerizing. Mark Chapman’s cinematography is a visual treat, capturing both the sterile beauty of the artificial environment and the raw emotional currents beneath. His skilful framing and technical talent elevate the film’s aesthetic, creating a vivid, immersive experience.
The film’s themes resonate deeply, exploring the paradox of a world that, despite its advanced technology, fails to bridge the human divide. It’s a thought-provoking tale that challenges viewers to reflect on their own lives and the nature of connection. With its intense storytelling, stunning visuals, and a standout performance by Volk, “Artificial Existence” is a remarkable piece of short filmmaking. Highly recommended.
