‘The Seventh Sin’, the short thriller helmed by writer/director Alex Probst, presents an intriguing premise woven with themes of morality and redemption. Lead actor Corum Sanford delivers a compelling portrayal of Eric, a hitman on a mission to eradicate those who embody the seven deadly sins, driven by a twisted sense of divine duty. His interactions with the enigmatic priest, played by John Maslowski, provide a captivating dynamic that adds depth to the thrilling narrative.

Visually, the film is a treat, thanks to the skilled cinematography of Matt Cronin, who expertly captures the tension and suspense with stylish camera movements and neat framing. The flashback sequences showcasing Eric’s previous targets, notably the portrayal of a lustful gay man by Joshua Alan Nethery, are haunting and serve to deepen the protagonist’s complex motivations.

Where ‘The Seventh Sin’ truly excels is in its technicality, with superb sound design and editing enhancing the overall experience. Each scene is meticulously crafted to heighten the sense of unease and anticipation, keeping the audience on the edge of their seats.

However, despite its many strengths, the film’s twist ending fails to deliver the intended impact. While the writing lays a solid foundation for a shocking revelation, the execution by the cast falls slightly short, resulting in a denouement that lacks the desired punch. Nonetheless, ‘The Seventh Sin’ remains a riveting and tense watch, deserving of praise for its engaging storyline and impressive craftsmanship.