In Christine Stoddard‘s self-made experimental drama, the narrative becomes a poignant exploration of profound grief as we following her character’s loss after the death of her grandfather. Stoddard, both behind and in front of the camera, skillfully crafts a melancholic tale that delves into the complexities of overcoming bed-bound sadness. The film unfolds as a touching and heartfelt journey, showcasing the emotional intricacies inherent in the process of mourning.

Self-shot and taking on the central role, Stoddard demonstrates a keen eye for cinematic framing and exhibits a commitment to quality production despite the limited budget and absence of a crew. Dialogue takes a slightly back seat, relying instead on the raw emotional physiognomy of the character, adding depth and authenticity to the storytelling.

The film’s conclusion at the bay introduces a hopeful note, as the character stumbles upon a washed-up message-in-a-bottle, suggesting the possibility of healing and overcoming sadness. The acting is commendable, contributing to the overall poignancy of the film. Stoddard’s experimental drama stands as a testament to the power of personal storytelling, offering a genuine and moving portrayal of grief, loss, and the potential for solace in unexpected places.