Sigrid Ehemann’s experimental micro-short, a tribute to the legendary Japanese film composer Toru Takemitsu, is a delicate visual poem that embraces simplicity. The film, devoid of music or dialogue, focuses on fallen leaves gently floating on a pond under the soft caress of raindrops.

Ehemann’s work, while seemingly minimalistic, offers an intimate space for contemplation, allowing viewers to immerse themselves in the serene beauty of nature. The absence of music, despite being a homage to a musical genius, is a daring choice that might be seen as a missed opportunity. Additionally, the low production values and avant-garde approach could potentially alienate some audiences, leaving them disconnected from the intended emotion.

Ehemann’s bold venture into experimental art should be commended. Despite its divisive nature, the film showcases a unique perspective in filmmaking, exploring the boundaries of visual storytelling. Ehemann’s effort to carve out a niche in this artistic realm deserves recognition, demonstrating a courageous foray into uncharted territories of cinematic expression