Treadmill

A gripping drama that delves into abuse of power in the workplace.
4/5

Review

Pierluigi Campa’s short drama ‘Treadmill’ co-written with Lyndon Henley Hanrahan, delves fearlessly into the abusive power dynamic between a sales assistant, Atlas (Oli Higginson), and his manager (Luke Harrison). Atlanta Hayward co-stars in this poignant narrative that not only highlights the harsh realities of workplace abuse but also delves into the profound impact it leaves, especially when roles of authority are reversed.

Despite its student production origins, ‘Treadmill’ shines brightly. Aditya Sharma’s cinematography captures the tension with skillful framing, while the production design adds depth to the characters’ world. The emotional weight of the abuse is palpable, stripping away any semblance of comedic relief from the dark humor embedded within.

The film’s strength lies in its heartbreaking authenticity and the exceptional performances across the board. Higginson, Harrison, and Hayward deliver compelling portrayals, drawing viewers into the painful realities of power struggles. The narrative, while unsettling, resonates as a powerful statement on revenge, bullying, and the misuse of authority.

The short stands as a testament to the talent behind its creation, presenting a story that is not only impactful but also an important reflection of real-world workplace dynamics. Gripping and raw, it serves as a stark reminder of the responsibility that comes with power.

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