A particularly poignant scene in the film is when Jamal catches a disheartening glimpse at the notes of the job interview, highlighting the stark reality of discriminatory practices and sparking crucial discussions around inequality.
Both Daniel Oluwayomi and Stephane Tremblay deliver commendable performances, capturing the complexities of their characters and actively engaging viewers in the emotional journey of their experiences. Their authenticity enhances the film’s impact and effectively conveys the urgency of the issue at hand.
Jelan Maxwell’s cinematography further impresses, skillfully capturing the visual essence of the story. The film’s aesthetic choices highlight the juxtaposition between the corporate world and Jamal’s struggle, fostering a deeper understanding of his plight.
The film concludes with a harrowing statistic that conveys the severity of the issue: applicants with “white sounding names” are 50% more likely to be contacted than those with “typical black names.” This fact leaves a lasting impact, reinforcing the urgent need for change and encouraging viewers to reflect on systemic biases and their personal roles in dismantling them.
Paul Barasa’s short film is an impactful and thought-provoking exploration of corporate prejudice and discrimination. Through powerful performances, impressive cinematography, and a timely narrative, the film serves as a call to action for addressing and challenging these inequalities in our society. It is a powerful reminder of the importance of inclusivity and equal opportunities for all.
A particularly poignant scene in the film is when Jamal catches a disheartening glimpse at the notes of the job interview, highlighting the stark reality of discriminatory practices and sparking crucial discussions around inequality.
Both Daniel Oluwayomi and Stephane Tremblay deliver commendable performances, capturing the complexities of their characters and actively engaging viewers in the emotional journey of their experiences. Their authenticity enhances the film’s impact and effectively conveys the urgency of the issue at hand.
Jelan Maxwell’s cinematography further impresses, skillfully capturing the visual essence of the story. The film’s aesthetic choices highlight the juxtaposition between the corporate world and Jamal’s struggle, fostering a deeper understanding of his plight.
The film concludes with a harrowing statistic that conveys the severity of the issue: applicants with “white sounding names” are 50% more likely to be contacted than those with “typical black names.” This fact leaves a lasting impact, reinforcing the urgent need for change and encouraging viewers to reflect on systemic biases and their personal roles in dismantling them.
Paul Barasa’s short film is an impactful and thought-provoking exploration of corporate prejudice and discrimination. Through powerful performances, impressive cinematography, and a timely narrative, the film serves as a call to action for addressing and challenging these inequalities in our society. It is a powerful reminder of the importance of inclusivity and equal opportunities for all.
Short Films Matter is an online short film platform that reviews independent short films from across the globe.
We are proud to feature the work of up-and-coming talent as well as established filmmakers.
Unlike other curated short film platforms, we never reject short films. All films submitted are guaranteed to be showcased on our website.
You can submit your short film for review using our submission form. Our submission fee is $50.
Any submissions received via email or social media will be not be accepted.
No. Short Films Matter is a short film platform that reviews and promotes short films via our website and social media. We do not hold live screening events or competitions.
If you would like to make any changes to your review page/or request deletion, you can do so via email.
1. All short films must be publicly hosted on YouTube or Vimeo. If your short film is currently in a festival season. you can submit a trailer. This can be and changed later once your festival season has concluded.
2. Short Films must be 40 minutes or less.
3. You can submit a film that was produced/released in any year, country or language.
4. We accept all types of short films, including: Action, Animation, Comedy, Drama, Documentary, Experimental, Horror, LGBTQ+, Music, Mystery, Sci-Fi and Thriller.
5. We do not refund submissions.
6. Subtitles are required if the film is not in the English language.
Yes. Our single submission fee is $50.
Besides staff and running costs, the fee is also necessary to ensure high-quality and genuine content for our visitors. The fee rates are competitive with comparable publications.