Written and directed by Thomas Wilson-White, ‘St. Augustine’ is a short mystery film that gradually unravels the troubled psychology of a young gay man. Set on the south coast of Australia, with cinematic craftsmanship throughout, the narrative explores the benumbed connection between Harry (Aleks Mikic) and Davos (Elijah Williams). Themes of mental health and identity play a pivotal part of the overall storyline, as the director indirectly (with suspense) examines the state of mind of Harry. A melancholic watch with a heartening conclusion.
Set on the confines of a murky seaside retreat, the 17-minute short opens with a stony introduction to the young couple. In spite of Davos’ doting tenderness and desire to help, Harry finds himself closed-off from all contentment – with subtle imagery suggesting internal conflict. Despite a smidgen of romantic gravity between them, Harry is forced to overcome his own existential identity crisis in order to save himself and his relationship.
This deeply intimate short is nothing short of extraordinary, albeit with a projection of character despondency. With admirable portrayals by Mikic and Williams, and sensational cinematography by Daniel Bolt, the sweeping tone is immensely faithful to Wilson-White’s enigma-driven plot. Dialogue is deliberately limited to convey the central character’s unanchored state of existence – and is amplified by the dramatic coastal location. Don’t be deterred by the dispiriting atmosphere – expect a startling conclusion with an uplifting twist. Highly recommended.
