The 4-minute drama opens in pessimism as we are introduced to the gloomy outlook of a young man. Detached from general society – and his appearance – the man embarks on an extreme modification of his identity – converting his face into something inanimate, if not other worldly. A salient message that the film intents to convey, is that human-beings have become carbon-copies of one another – depleting our individuality.
Demarco’s narrative intensions are laudable with ‘Cupid’, but the overall technicality falls short of engaging. Cinematography and sound are distinctly modest, which may thwart viewer enthrallment. Demarco’s portrayal as the angst protagonist is fairly commendable and is well-orchestrated from start-to-finish. A deeper exploration of the character’s backstory and his goal would wrap up the narrative pleasingly – as at times the audience may feel disconnected with the character’s psychology. The subject matter is certainly intriguing, which is bound to maintain interest. In spite of the before-mentioned shortcomings, ‘Cupid’ is an experimental film that shouldn’t be overlooked.
The 4-minute drama opens in pessimism as we are introduced to the gloomy outlook of a young man. Detached from general society – and his appearance – the man embarks on an extreme modification of his identity – converting his face into something inanimate, if not other worldly. A salient message that the film intents to convey, is that human-beings have become carbon-copies of one another – depleting our individuality.
Demarco’s narrative intensions are laudable with ‘Cupid’, but the overall technicality falls short of engaging. Cinematography and sound are distinctly modest, which may thwart viewer enthrallment. Demarco’s portrayal as the angst protagonist is fairly commendable and is well-orchestrated from start-to-finish. A deeper exploration of the character’s backstory and his goal would wrap up the narrative pleasingly – as at times the audience may feel disconnected with the character’s psychology. The subject matter is certainly intriguing, which is bound to maintain interest. In spite of the before-mentioned shortcomings, ‘Cupid’ is an experimental film that shouldn’t be overlooked.
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1. All short films must be publicly hosted on YouTube or Vimeo. If your short film is currently in a festival season. you can submit a trailer. This can be and changed later once your festival season has concluded.
2. Short Films must be 40 minutes or less.
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6. Subtitles are required if the film is not in the English language.