The 8-minute short opens during the COVID-19 pandemic, where a young woman is being romantically pursued on the street by an eccentric man in a Spiderman mask. Later, whilst interacting with others on the street, he joyfully hops into a cab with another woman. The second narrative follows two strangers, that sit at opposite ends of a basketball court, who become engrossed in each-other’s rhythmic expression. The final tale explores the poignancy of music, as a young man recalls a moment in his life where a particular song connects him to a deceased family member.
Ray Smiling’s narrative intensions are undoubtedly admirable and is certain to make the viewer contemplate their own musical connections. The entire cast turn over respectable performances throughout – just enough to maintain engagement and intrigue. Daniel Vignal’s craftsmanship in cinematography warrants appreciation and praise – expect a cinematic-style finish. In spite of the drama’s anthology-style narrative, the backbone theme of music and rhythm is flawlessly retained – binding the stories into one endearing narrative. Highly recommended.
The 8-minute short opens during the COVID-19 pandemic, where a young woman is being romantically pursued on the street by an eccentric man in a Spiderman mask. Later, whilst interacting with others on the street, he joyfully hops into a cab with another woman. The second narrative follows two strangers, that sit at opposite ends of a basketball court, who become engrossed in each-other’s rhythmic expression. The final tale explores the poignancy of music, as a young man recalls a moment in his life where a particular song connects him to a deceased family member.
Ray Smiling’s narrative intensions are undoubtedly admirable and is certain to make the viewer contemplate their own musical connections. The entire cast turn over respectable performances throughout – just enough to maintain engagement and intrigue. Daniel Vignal’s craftsmanship in cinematography warrants appreciation and praise – expect a cinematic-style finish. In spite of the drama’s anthology-style narrative, the backbone theme of music and rhythm is flawlessly retained – binding the stories into one endearing narrative. Highly recommended.
Short Films Matter is an online short film platform that reviews independent short films from across the globe.
We are proud to feature the work of up-and-coming talent as well as established filmmakers.
Unlike other curated short film platforms, we never reject short films. All films submitted are guaranteed to be showcased on our website.
You can submit your short film for review using our submission form. Our submission fee is $50.
Any submissions received via email or social media will be not be accepted.
No. Short Films Matter is a short film platform that reviews and promotes short films via our website and social media. We do not hold live screening events or competitions.
If you would like to make any changes to your review page/or request deletion, you can do so via email.
1. All short films must be publicly hosted on YouTube or Vimeo. If your short film is currently in a festival season. you can submit a trailer. This can be and changed later once your festival season has concluded.
2. Short Films must be 40 minutes or less.
3. You can submit a film that was produced/released in any year, country or language.
4. We accept all types of short films, including: Action, Animation, Comedy, Drama, Documentary, Experimental, Horror, LGBTQ+, Music, Mystery, Sci-Fi and Thriller.
5. We do not refund submissions.
6. Subtitles are required if the film is not in the English language.
Yes. Our single submission fee is $50.
Besides staff and running costs, the fee is also necessary to ensure high-quality and genuine content for our visitors. The fee rates are competitive with comparable publications.
