4/5
Morgan Bose just broke up with her girlfriend, and her night is only going to get worse….
- Drama, LGBTQ+
- United States
- 2022
- 12 min
The 8-minute short opens during the COVID-19 pandemic, where a young woman is being romantically pursued on the street by an eccentric man in a Spiderman mask. Later, whilst interacting with others on the street, he joyfully hops into a cab with another woman. The second narrative follows two strangers, that sit at opposite ends of a basketball court, who become engrossed in each-other’s rhythmic expression. The final tale explores the poignancy of music, as a young man recalls a moment in his life where a particular song connects him to a deceased family member.
Ray Smiling’s narrative intensions are undoubtedly admirable and is certain to make the viewer contemplate their own musical connections. The entire cast turn over respectable performances throughout – just enough to maintain engagement and intrigue. Daniel Vignal’s craftsmanship in cinematography warrants appreciation and praise – expect a cinematic-style finish. In spite of the drama’s anthology-style narrative, the backbone theme of music and rhythm is flawlessly retained – binding the stories into one endearing narrative. Highly recommended.
The 8-minute short opens during the COVID-19 pandemic, where a young woman is being romantically pursued on the street by an eccentric man in a Spiderman mask. Later, whilst interacting with others on the street, he joyfully hops into a cab with another woman. The second narrative follows two strangers, that sit at opposite ends of a basketball court, who become engrossed in each-other’s rhythmic expression. The final tale explores the poignancy of music, as a young man recalls a moment in his life where a particular song connects him to a deceased family member.
Ray Smiling’s narrative intensions are undoubtedly admirable and is certain to make the viewer contemplate their own musical connections. The entire cast turn over respectable performances throughout – just enough to maintain engagement and intrigue. Daniel Vignal’s craftsmanship in cinematography warrants appreciation and praise – expect a cinematic-style finish. In spite of the drama’s anthology-style narrative, the backbone theme of music and rhythm is flawlessly retained – binding the stories into one endearing narrative. Highly recommended.
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