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Say the Quiet Part Loud

Synopsis

Kore, an alcoholic, heads towards a dissociative fugue state.

Review

5/5
An experimental drama that explores alcoholism and homelessness.
Directed by Michael P. Fogerty, from a screenplay by Fogerty and Leslie Daniels, ‘Say the Quiet Part Loud’ is an experimental drama film that explores a mentally challenged alcoholic. The short film is a continuation of ‘a Short Story about Kore’ – which is part of a three-episode series. Z. DeWald resumes her portrayal as Kore. The film showcases themes of addiction, mental health, homelessness, survival and isolation. An extraordinary drama which follows a non-linear narrative.

The 24-minute film opens with Kore walking a suburban Arizona street to exchange a free library book. Her appearance is unkept. The short continues at a woodland, where Kore sits drinking amongst the fellow destitute. Kore’s social interaction is non-existent, unlike the others, exposing her troubled mindset. Kore’s poetic skills and articulation is utilized in the following scene, as she sits writing in her tent. A poignant piece of writing and filmmaking, particularly due to Kore’s voice being limited throughout the entire film. Additional scenes showcase her breaking-an-entry into a holiday rental, where she drinks her emotions away.

Say the Quiet Part Loud Short Film e1651754010594
It is fair to say that ‘Say the Quiet Part Loud’ outshines the first movie – which is equally a remarkable narrative achievement by Michael P. Fogerty and Leslie Daniels. Kore is depicted as a more three-dimensional character this time, with the examination of her thoughts, emotions and showcasing her unpredictable daily voyages. Cinematography, lighting and editing is first-class and delivers a professional finish. Z. DeWald’s performance is highly captivating, empathetic and raw. Highly recommended.

Cast/Crew

Director(s): Michael P. Fogerty
Writer(s): Leslie Daniels, Michael P. Fogerty
Cast: Z DeWald
Producer(s): Carlos Berber
Director of Photography: Darian Harmon
Animation (if applicable):

Specifications

Genre: ,
Subjects: , , , , , , , , , , , , , , , ,
Collections:
Country:
Language: English
Year: 2022
Runtime: 24 min

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Cast/Crew

Director(s): Michael P. Fogerty
Writer(s): Leslie Daniels, Michael P. Fogerty
Cast: Z DeWald
Producer(s): Carlos Berber
Director of Photography: Darian Harmon
Animation (if applicable):

Specifcations

Genre: ,
Subjects: , , , , , , , , , , , , , , , ,
Collections:
Country:
Language: English
Year: 2022
Runtime: 24 min

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Say the Quiet Part Loud

Synopsis

Kore, an alcoholic, heads towards a dissociative fugue state.

Review

An experimental drama that explores alcoholism and homelessness.

5/5
Directed by Michael P. Fogerty, from a screenplay by Fogerty and Leslie Daniels, ‘Say the Quiet Part Loud’ is an experimental drama film that explores a mentally challenged alcoholic. The short film is a continuation of ‘a Short Story about Kore’ – which is part of a three-episode series. Z. DeWald resumes her portrayal as Kore. The film showcases themes of addiction, mental health, homelessness, survival and isolation. An extraordinary drama which follows a non-linear narrative.

The 24-minute film opens with Kore walking a suburban Arizona street to exchange a free library book. Her appearance is unkept. The short continues at a woodland, where Kore sits drinking amongst the fellow destitute. Kore’s social interaction is non-existent, unlike the others, exposing her troubled mindset. Kore’s poetic skills and articulation is utilized in the following scene, as she sits writing in her tent. A poignant piece of writing and filmmaking, particularly due to Kore’s voice being limited throughout the entire film. Additional scenes showcase her breaking-an-entry into a holiday rental, where she drinks her emotions away.

Say the Quiet Part Loud Short Film e1651754010594
It is fair to say that ‘Say the Quiet Part Loud’ outshines the first movie – which is equally a remarkable narrative achievement by Michael P. Fogerty and Leslie Daniels. Kore is depicted as a more three-dimensional character this time, with the examination of her thoughts, emotions and showcasing her unpredictable daily voyages. Cinematography, lighting and editing is first-class and delivers a professional finish. Z. DeWald’s performance is highly captivating, empathetic and raw. Highly recommended.

Recommended

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