Director Guzel Akhmetshina and writer Emilia Voropaeva present a thoughtful short drama that navigates grief, mental health, and the hope found in a new connection. Set in a small Russian town, ‘By the Break of Day’ follows Vanya (Egor Guskov), a teenage boy recently released from a psychiatric clinic. Haunted by the loss of his best friend Margo (Valentina Semchenko) and struggling with panic disorder, Vanya becomes stranded overnight at a remote train station.
The film centers on the unexpected bond between Vanya and Varya (Anastasia Zubova), a runaway with a passion for photography and an open, talkative nature. Their conversations about life, death, and dreams come across as genuine and carefully written, reflecting Voropaeva’s clear sense of character. Pavel Gulyaev’s cinematography captures the mood and isolation of the setting with skill, while the sound design and editing enhance emotional moments without feeling forced.
Guskov delivers a sincere performance, conveying Vanya’s inner turmoil without exaggeration. Zubova’s energy brings warmth, contrast and movement to the story, balancing the heaviness with a natural ease. Semchenko’s Margo remains a haunting presence in Vanya’s mind, the catalyst for his emotional struggles.
At 34 minutes, the film allows its narrative room to develop, though it hints at unexplored depths. The turning point occurs when Vanya finally opens up to Varya – this pivotal moment of emotional release is the film’s strongest and most honest. A subtle suggestion of romance near the end adds a hopeful layer.
‘By the Break of Day’ is a strong and moving short that treats mental health and healing with nuance and respect. It stands out as a sincere drama that avoids clichés and invites reflection. Highly recommended.
