Directed by Hannah Kelly and lensed with remarkable skill by cinematographer Alba Skottowe, ‘Thinking Hands’ is a refined and quietly powerful documentary that observes ceramic artist Christophe Donot at work in his studio. It is, at first glance, a film about process – but beneath the surface, it explores the intersection of craft, mindfulness, and personal restoration.
There is no narrative arc imposed here. Instead, the camera documents with care as Donot prepares his materials and begins to shape clay on a spinning wheel. It’s a hypnotic watch: water, motion, pressure, and form converging in real time. The editing complements the rhythm of the artist’s movements, while the sound design and musical score enhance the experience without ever drawing attention to themselves. Every visual choice – particularly the close-up compositions – feels considered and in tune with the subject matter.
Donot reflects on his connection to pottery not only as a profession, but as a stabilising force in his life. His words are sparse but significant, offering insight into how art has functioned as a means of coping with past trauma. Kelly allows this theme to emerge organically, never forcing sentiment, trusting the viewer to connect with what’s unsaid as much as what’s spoken.
‘Thinking Hands’ is a visual showcase of ceramic artistry, but it is also a finely crafted portrait of resilience through creativity. At just a few minutes long, it achieves the rare balance of being educational, meditative, and emotionally resonant – without overstating a single moment.
It is, quite simply, a beautifully made film.
