‘Decksdark’ checks all the boxes for a modern sci-fi dystopian film, blending solid writing, well-drawn characters, and impeccable technical craftsmanship. Kane Wilson, both writer and director, creates a chilling future where neural implants are mandatory, controlling human consciousness. Logan, played by Laurie Duncan, is a “Decksdark” — one of the few rebels who refuse to give in to this technological control, living off the grid in lonely isolation. Duncan’s understated but compelling performance holds the film together, carrying us through his quiet but intense struggle for freedom.
From a storytelling perspective, ‘Decksdark’ has all the right ingredients: a totalitarian government and an intriguing rebel faction. Logan’s encounter with Indigo, a woman whose consciousness remains accessible even after death, adds layers of emotional complexity. Their bond grows, yet this connection, which feels like a lifeline, could also threaten Logan’s hard-earned independence.
Visually, the film excels. Cinematographer Chris Fergusson’s work is stunning, combining vast rural landscapes with tightly framed close-ups that capture Logan’s solitude. The beautiful cinematography contrasts with the oppressive, controlled world that Logan is trying to escape. Technically, the film is of cinematic quality, from the moody lighting to the clean editing.
‘Decksdark’ is a smart sci-fi thriller that knows its genre but isn’t afraid to ask deeper questions about connection, freedom, and what it really means to be human in a world controlled by technology. Kane Wilson’s craftsmanship, along with a praiseworthy portrayal by Laurie Duncan , make this film a solid entry into the modern dystopian canon.
