‘Oh Man Magdalena’ is a quirky dive into the world of therapy, but don’t expect the usual soul-baring session here. In Ryan Wagner’s comedy-drama, we’re pulled into a room where Magdalena (Jacqueline Wright) and her therapist (John Getz) engage in what starts as a typical dialogue but quickly swerves into unexpected territory. Magdalena, seemingly out of things to confess, spirals into recounting an empathetic encounter with a drug dealer – a conversation that feels bizarrely out of place, yet oddly fitting for the film’s eccentric tone.
Wright and Getz are an absolute delight to watch, their chemistry crackling with an offbeat energy that keeps the dialogue-driven narrative from ever feeling sluggish. Wright brings a mix of vulnerability and sharp wit to Magdalena, making her both relatable and intriguingly unpredictable. Getz, on the other hand, plays the therapist with a deadpan humor that is subtle yet effective, turning even the silliest questions into moments of unexpected profundity.
Visually, the film takes a bold approach with its choice of cinematography. The grainy, VHS-style footage feels like we’ve stumbled upon a private moment not meant for our eyes, adding a voyeuristic quality that only heightens the intimacy of their exchanges. This retro aesthetic isn’t just a gimmick; it amplifies the sense of rawness and authenticity, making us feel like we’re eavesdropping on something deeply personal.
And just when you think you’ve got it figured out, the film throws a curveball with a twist ending that’s as unsettling as it is thought-provoking. ‘Oh Man Magdalena’ is a film that thrives on its dialogue, but it’s the stellar performances and unique stylistic choices that make it a standout, leaving you both entertained and a little bit haunted.
