Nathaniel Chamron’s short film ‘Rat Trap’ is a blistering exploration of workplace burnout and the quest for self-redemption, all wrapped in a deceptively simple package. With a keen eye for the absurdity of corporate life, Chamron crafts a narrative that is as relatable as it is tense. The story follows John (Daniel Jongma), an office drone beleaguered by his tyrannical boss (Rob Howard), who decides to escape the grind and seek solace in nature’s embrace.
In this drama, John’s journey unfolds against a backdrop of stark contrasts. Alishan Vertejee’s black-and-white cinematography during the tense office scenes amplifies the stifling pressure, while the vibrant hues of nature serve as a striking antidote. This visual dichotomy enhances the emotional resonance, making John’s internal conflict palpable.
Chamron’s script navigates the tension between courage and desperation, posing profound questions about the nature of endurance and the tipping point between sanity and surrender. The dialogue crackles with intensity, each line a credit to the mounting strain on John’s mental health, though subtly presented, allowing the viewer to feel rather than be told.
The performances, Jongma’s portrayal of John and Rob Howard’s chillingly authoritative boss, are commendable for their ability to convey the complex emotional landscape of a man at the breaking point.
‘Rat Trap’ is a reminder of the toll relentless work pressures can take, beautifully captured through sharp storytelling and evocative cinematography. It’s a film that doesn’t just depict a character’s struggle but invites us to confront our own thresholds. By the end, you’ll find yourself questioning where the line between bravery and folly truly lies, making Chamron’s film a compelling watch.
