Maximilian Rosenbaum’s ‘Kernbruch’ is a hypnotic dive into the perilous allure of nostalgia. David Schütz stars as a young man who, after an exasperating day at work, finds solace in an old 1990s video game console. The moment he powers it on, he’s transported into an entrancing chaos that mirrors a drug-induced euphoria. The nostalgic bliss quickly turns sinister, blurring the lines between reality and the digital realm. As Schütz’s character becomes absorbed in the game, he morphs into the video game character, teetering on the edge of an overdose-like trance.
Rosenbaum’s film is a silent, visual symphony – there’s no dialogue, just raw imagery and music that evoke a late 90s vibe. The blend of black-and-white and color shots artfully illustrates the protagonist’s transformation, adding a layer of visual depth that keeps you on edge. Nick Pajunk’s cinematography, while not particularly cinematic, is fitting for the low-budget framework, showcasing commendable technique and resourcefulness.
David Schütz commands the screen with a tense, intimate performance, capturing the spiraling descent of his character with gripping intensity. Despite the film’s brevity, it leaves a potent impression, though a longer runtime would allow for a more profound exploration of the character’s journey and the eerie fascination with the gameplay.
‘Kernbruch’ is an intense piece of low-budget filmmaking that leverages its constraints to deliver a compelling narrative. It’s a haunting exploration of how nostalgia can become a dark, consuming force, driven home by Schütz’s standout performance and Rosenbaum’s bold direction.
